![]() The form of the installation was constructed to suggest an exploded split house. Installation, old found windows, glas, remains of painting, variable dimensions Installation, old found windows, glas, remains of painting, variable dimensions 1, as 1 in 2, #02, 2016. This house is used during the story as a home, as a genetic laboratory for Nazis and later as a sports hall and shows how architecture can influence and shape people‘s behavior. The title of the work is named after the book “The Glass Room” by Simon Mawer, and refers to Mies van der Rohe‘s Tugendhat House. The division is an answer to the perception of two histories and identities. The shape of the installation resembles two halves of a blown-up house. Facts and memories are supplemented by new “realities” and parts of the story are forgotten and overwritten. The new interpretation of my first installation relates to this comparable historical phenomenon. The stories of Berlin and Kaliningrad have similarities, like a debate about the reconstruction of a destroyed castle. La Maison de Verre is the reconstruction of a first installation 1 as 1 in 2, which I built in Kaliningrad in 2016. Installation, old found windows, wood, glas, remains of painting.įragments, Guardini Galerie, Berlin, 2019 The image of the shadows is inverted, this displacement refers to the ambivalence of our world, which is between reality, fiction and dream. With the assembled abstract black and white spots, I wanted to evoke the presence of a tree. The light on the paper draws different traces, depending on the weather and wind. This process of repeating an action, something that could feel absurd and foolish, was a response to the situation, the pandemic and feelings of isolation, how to evade this and “to do something”* against an impression of helplessness (Intimations, Zadie Smith, 2020). With a self-made Camera Obscura of cardboard, I took during everyday one year pictures of the shadows of a tree on a sheet of photo paper. © Claire Laude, 2022Ĭandela, Festival Lichtkunst Artspring, Pavillon am Michhof, Berlin, 2022.Ĭollage of photographs taken by a camera obscure and scanned, Fine Art print on PhotoRag 180 g/m2, Exhibitions in Germany, France and internationally, including Galerie im Körnerpark in Berlin Pavilion Milchhof, Berlin Haus des Rundfunks, Berlin Villa Rot, Burgrieden Guardini Gallery, Berlin Kunsthalle Exnergasse, Vienna, Museum Belvedere, Heerenveen New Art House, Ahrenshoop NCCA, Kaliningrad Gallery f5.6, Munich Gallery Binôme, Paris.Ĭandela, Festival Lichtkunst Artspring, Pavillon am Michhof, Berlin, 2022. Her text and images were published in 2019 by Editions Essarter in the trilogy of books The Red Utopias, which brings together different authors and photographers on the subject of political utopias in Europe in a post-Soviet era. With her project “Ephemeral Intersects”, she won the first prize of the Urbanautica Institute Award in 2019 in the category “Space, Architecture & Conflicts”. In 2021, her book “A Silentio” was published by Editions Essarter, a monograph with photographs and text that examines traces of history in a context of a rural landscape in three areas in Greece and Italy. She is 2023 one of the Laureate at the Villa Salaambô, Institut français, in Tunis. Claire Laude, Credits © Ina Schoenenburg- Ostkreuz Agentur
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